In Alain Resnais's masterwork, L'ANNEE DERNIERE A MARIENBAD, each fantasy laden, heavily dramatised, aesthetically perfected scene is dictated by the memories of a man (Giorgio Albertazzi), who is one of many elegant, aristocratic guests vacationing at the enchanting resort, Marienbad. Because the story consists of foggy memories that may or may not be accurate, the film unrolls like a repetitious dream.

A young Paris housewife, Séverine, grows bored with her stable husband. When she learns of the presence of a high-class brothel in her neighborhood, she quietly goes to work there--but only during the day, until five o'clock in the afternoon. This sublime 1967 film is one of the latter-day masterpieces of the Spanish-born director Luis Buñuel, whose career forms one of the greatest and boldest arcs in cinema

Widely acknowledged as a classic, LE MEPRIS is the story of Paul, a writer, and Camille, a couple in a tempestuous marriage. When Paul accepts a job to review a big screen version of Homer's Odyssey, the arguments over how the script should turn out mirror the arguments in Paul's relationship.