Winner of five Academy Awards, including Best Picture and Best Director, The Deer Hunter is simultaneously an audacious directorial conceit and one of the greatest films ever made about friendship and the personal impact of war. Like Apocalypse Now, it's hardly a conventional battle film--the soldier's experience was handled with greater authenticity in Platoon--but its depiction of war on an intimate scale packs a devastatingly dramatic punch.

In Alain Resnais's masterwork, L'ANNEE DERNIERE A MARIENBAD, each fantasy laden, heavily dramatised, aesthetically perfected scene is dictated by the memories of a man (Giorgio Albertazzi), who is one of many elegant, aristocratic guests vacationing at the enchanting resort, Marienbad. Because the story consists of foggy memories that may or may not be accurate, the film unrolls like a repetitious dream.

He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.

A striking examination of the power of the police and excesses of the media, The Lost Honor of Katharina Blum grows more pertinent every day. When the police burst into Katharina Blum's apartment, they fail to find the suspected terrorist they've been tracking and arrest Blum for harboring a fugitive.

In this version of the Shakespeare tragedy, the king is a 16th-century warlord (Tatsuya Nakadai as Lord Hidetora) who decides to retire and divide his kingdom evenly among his three sons. When one son defiantly objects out of loyalty to his father and warns of inevitable sibling rivalry, he is banished and the kingdom is awarded to his compliant siblings.