Steven Seagal, the free world's most "independent" anti-terrorist agent, is going down under - not to foreign ports but submerged, under the sea, where waves of deceit are set to torpedo his command permanently. Chris Cody (Seagal) is summoned from his military prison cell and promised a presidential pardon - with a hitch. An American Ambassador has been assassinated - by the U.S. Secret Service.

An old man thinks back to a summer many years before when, as a young boy, he stayed with the aristocratic Maudsley family in their beautiful house in the Norfolk countryside. On the threshold of adolescence, intensely curious about sex, he became the go-between for Marian Maudsley and local farmer Ted Burgess as they conducted an affair behind the backs of the Maudsley family.

Winner of five Academy Awards, including Best Picture and Best Director, The Deer Hunter is simultaneously an audacious directorial conceit and one of the greatest films ever made about friendship and the personal impact of war. Like Apocalypse Now, it's hardly a conventional battle film--the soldier's experience was handled with greater authenticity in Platoon--but its depiction of war on an intimate scale packs a devastatingly dramatic punch.

In Alain Resnais's masterwork, L'ANNEE DERNIERE A MARIENBAD, each fantasy laden, heavily dramatised, aesthetically perfected scene is dictated by the memories of a man (Giorgio Albertazzi), who is one of many elegant, aristocratic guests vacationing at the enchanting resort, Marienbad. Because the story consists of foggy memories that may or may not be accurate, the film unrolls like a repetitious dream.

Michel Poiccard, an ex-airline steward turned hoodlum, steals a car and heads to Paris. Discovering a gun in the car's glove department, he uses it to shoot and kill a cop who tries to wave him down. He wants to escape to Italy with his American girlfriend Patricia, but the police are after him, and he is distracted by all the pleasures Paris has to offer.