In Alain Resnais's masterwork, L'ANNEE DERNIERE A MARIENBAD, each fantasy laden, heavily dramatised, aesthetically perfected scene is dictated by the memories of a man (Giorgio Albertazzi), who is one of many elegant, aristocratic guests vacationing at the enchanting resort, Marienbad. Because the story consists of foggy memories that may or may not be accurate, the film unrolls like a repetitious dream.

A young Paris housewife, Séverine, grows bored with her stable husband. When she learns of the presence of a high-class brothel in her neighborhood, she quietly goes to work there--but only during the day, until five o'clock in the afternoon. This sublime 1967 film is one of the latter-day masterpieces of the Spanish-born director Luis Buñuel, whose career forms one of the greatest and boldest arcs in cinema

This is a drama about an aging professional wrestler, decades past his prime, who now barely gets by working small wrestling shows in VFW halls and as a part-time grocery store employee.

Swaddled in whalebone and wigs, Keira Knightley steps into the restricted world of the Duchess of Devonshire, a royal lady popular with her subjects but stuck in an unhappy marriage. If this situation recalls Princess Diana (a descendent of the Duchess's family), so much the better for the purposes of director Saul Dibb and company; this film is eager to draw parallels with the unfortunate Lady Di, even if she is never directly mentioned.

In einem kleinen bayerischen Dorf werden Fotograf Marc (Benno Fürmann) und sein Sohn Tyll (Henry Stange) mit den Spuren eines uralten Verbrechens konfrontiert. Der Schlüssel zu dem sechsfachen Mord scheint in den Visionen und Alpträumen zu liegen, die Marc seit seiner Ankunft quälen. Auf der Suche nach der Antwort forscht Marc in der Vergangenheit nach...